A blog about the paintings, photographs, and prints that help me visualize my fiction—both Where the Light Falls and works-in-progress. My main current project is a novel tentatively entitled ANONYMITY. Its heroine works in publishing, belongs to a clandestine suffragist group, and has a married lover. Read on!
Click on images to see enlargements. In the text, click on words in color to activate links.
Turkeys, a New World species, were introduced to Europe in the 16th C and quickly became associated with holiday celebrations, especially Christmas. When 19th C American students abroad wanted to celebrate their home country’s Thanksgiving holiday, therefore, the birds were available. The Hotel Baudy(more…)
Dantan’s painting shows the Salon on a normal day, not the opening—one of the many days Jeanette and Effie went back together perhaps. (The 1880 Salon is the very one at which I have Jeanette’s painting of a vestibule in the Renicks’ house hang.) (more…)
In thinking about the Circleville “back story” for my new heroine, Mattie, I wondered what games were played by Ohio children of her era. Outdoor Sports for Boys gave quick answers—and its (and Girls) points to the need for feminism! Among the (more…)
A plot detail in ANONYMITY required advertising placards in subway cars. Were there any? This sheet music cover doesn’t show any, but I loved the attitude of the woman rider. Furthermore, I found the answer to my question here.
To listen to Theodore Norman and Arthur Gillespie's whoop-de-doo, racy Subway Glide, click here.
For the sheet music, click here or, in pdf format, here.
Blog tip: Any of you who read fantasy fiction know Terri Windling as a writer or editor. I have just stumbled across her blog Myth and Moor while researching Glasgow women artists (I think Amy Richardson may wind up in Glasgow). A visit to her page is a two-fer, Windling herself and Jessie M. King.
After yesterday's post on a Men Only saloon (and the results of this year's elections), I can't resist posting this image. I didn't document it properly so I can't tell you where I found it, but shall we agree, it speaks for itself?!?
A painting of Nymphs and Satyrs by William Adolphe Bouguereau lies in one of the oddball overlaps between my research for ANONYMITY and Where the Light Falls. In the published novel, Bouguereau is Jeanette’s teacher at the Académie Julian, and I saw his painting often when I visited the galleries while working in the library at The Clark. What you see here, however, (more…)
Sunrise, 7:35 AM, November 13, 1872. Claude Monet dashes off his impression of the red sun over misty Le Havre harbor. Yes, no, exactly? Exactly, say researchers Donald Olson, a professor of astrophysics at Texas State University and Géraldine Lefebre, a curator at the Musée d'Art Moderne Aldreé Malraux in Le Havre. For more about their calculations, click here. Does it matter? Not a whit. Is it fun? Well, sure.
One of the gee-whiz pleasures for me in researching New York City at the turn of the 20th C is gawking at high-resolution photos on line. In the full view of this one at the Shorpy site, you can read ads on the El staircase and titles on the newsstand. I'm delighted with the (more…)
Of course, this should have been posted on Monday with an exhortation to vote (I hope you did). If you find the results of Tuesday's elections depressing, remember our foremothers worked and worked and kept working despite.
The Library of Congress captions this photograph, "Miss Louise Hall with brush and Miss Susan Fitzgerald assisting bill posting in Cincinnati." (more…)
In the first draft of a chapter in ANONYMITY, I had a meeting of my suffragist group break up around 7:00 P.M. and wrote that it was still light outside. Before beginning the next chapter, which would follow Mattie home on the streets of Manhattan, I wanted to firm up the novel’s chronology. (more…)