Katherine Keenum


A blog about the paintings, photographs, and prints that help me visualize my fiction—both Where the Light Falls and works-in-progress. My main current project is a novel tentatively entitled ANONYMITY. Its heroine works in publishing, belongs to a clandestine suffragist group, and has a married lover. Read on!

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Selected Works

Fiction
An American woman art student meets a Civil War veteran in Belle Époque Paris.

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Picturing a World

Elegant Soirée

August 1, 2016

Tags: Béraud

This one is for Pat, who commented on the last post. Ballroom dancers!

“Anonymity,” my work-in-progress is about Jeanette Palmer’s younger sister, Mattie, who works in publishing in New York City in 1908. Works by Béraud helped me visualize Jeanette's Paris for Where the Light Falls. This one looks to me like a pastel from around 1900 (look at those Gibson (more…)

Pont Neuf

February 22, 2014

Tags: Béraud, Edward, Jeanette, Parisiénne, Paris landmark, dogs

Jeepers! I've just noticed that Thursday's post was not published. Better late than never, take a walk on the Pont Neuf!

When Jeanette returns from Pont Aven at the end of August 1879, she and Edward walk along Left Bank of the Seine on a Sunday afternoon. The scene is set farther down river than the Pont Neuf, but Béraud’s painting captures the casual, strolling ease that I wanted readers to feel.

Notice the Morris column advertising kiosk, the grille around the trees, the black-clad Parisiénne, and the little dog—recurring motifs for imagining Paris in this period.

Telegrams

October 10, 2013

Tags: Béraud, Jeanette, Effie, fashion or clothes, Parisiénne

After Carolus-Duran has accepted Jeanette into his atelier for women, Cousin Effie lends her funds for the first month’s tuition. The paragraph in which Jeanette telegraphs her father with an urgent request for money to repay Effie was trimmed out during editing, but is still there by implication since Judge Palmer’s grim return telegrams remain in the text. And for that implied incident (the incident that to my mind happens!) Béraud provides the perfect illustration. Notice even the white glove on the woman’s left hand (Americans were known for their white cotton gloves). This Parisiénne may be better dressed than Jeanette could afford, but the style seems right for 1879. (more…)

Pâtisserie

July 18, 2013

Tags: Béraud, cafés and restaurants

My editor teased me one time about how often my characters go to pâtisseries to buy pastry or have a cup of chocolate. Well, wouldn’t you if there were places like this available? When I invented my fictional Petit Honoré, I did not imagine either so high a ceiling or so grand a space, but I love visiting La Pâtisserie Gloppe via Béraud’s painting. Some of Jeanette and Effie’s visits to bakeries, cafés, and tea shops were edited out, but feel free to re-imagine as many as you like—and if you want to send them to the Gloppe, the address was no. 6, Champs Élysées. They’ll love it! Also, if you know of a teashop or bakery that continues to offer this kind of ambiance and gustatory delight, please let us know in the comments.

Kiosk

June 10, 2013

Tags: Amy, Jeanette, Edward, Béraud, Boulevard des Capucines, Rue Scribe, Paris landmark, Haussmann, fashion or clothes, dogs, kiosk, street views

At the end of their stay in Pont Aven, Amy proclaims herself ready again for the rough and tumble of Paris; and once back in the city, Jeanette discovers that she no longer feels like a new girl. I had a framed print of Béraud’s Kiosk beside my chair as I wrote Where the Light Falls : it set the mood perfectly.

The urbane gentleman on the right is dressed as Edward dresses when he goes out for his walks. What I noticed first, though, were the two women prettily lifting their skirts to negotiate the streets—Baron Haussmann’s clean, clean streets and wide pavements, where a lady could walk in city shoes. Jeanette would have visited this very intersection of the Rue Scribe and Boulevard des Capucines on her way from her bank to the Académie Julian. (more…)

Afoot in Paris

April 25, 2013

Tags: Béraud, Jeanette, Parisiénne, fashion or clothes, street views

Jeanette walks to and from school every day, at first accompanied by Cousin Effie and eventually on her own with fellow students. I wanted to know how closely she would have been chaperoned. Besides reading social history, I took note of how women were depicted on the streets in paintings. Béraud’s two hatless, gloveless “promenaders” in their neat, black, similar costumes look to me more like shop assistants, out perhaps on an errand, than either fashionable Parisiénnes or girls of dubious virtue. Their chumminess may include an awareness of the man behind them, or it may simply be the giggling companionability of friends. (more…)

The Pont des Arts

January 14, 2013

Tags: Jeanette, Paris landmark, Béraud, Parisiénne, street views

On her first full day in Paris, Jeanette enters her new life by crossing the Pont des Arts, the pedestrian bridge from the Left Bank to the Louvre. Béraud’s Windy Day illustrates the place; and from the first time I saw it, its tone of urbane self-awareness represented for me Jeanette's move into a bigger world. The self-possessed young woman in the foreground is certainly the very image of the chic Parisiénne that Jeanette would love to become. By its angle of view and the wide horizontal spread of pavement, moreover, the picture emphasizes the physical breadth of public spaces in Paris. (more…)