Katherine Keenum


A blog about the paintings, photographs, and prints that help me visualize my fiction—both Where the Light Falls and works-in-progress. My main current project is a novel tentatively entitled ANONYMITY. Its heroine works in publishing, belongs to a clandestine suffragist group, and has a married lover. Read on!

Click on images to see enlargements. In the text, click on words in color to activate links.

Selected Works

Fiction
An American woman art student meets a Civil War veteran in Belle Époque Paris.

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Picturing a World

Man with a boat

December 2, 2013

Tags: Caillebotte, Degas, Edward, Effie, Impressionism, Jeanette, exhibition, painting in the novel

Whether Pissarro's Turkeys hung in the 4th Impressionist show (1879) or not, Caillbotte's Man Docking His Skiff certainly did. Because I had the good luck to see it in the Virginia Museum of Fine Arts, and could examine the actual weave of the canvas and brushstrokes it went onto a short list of paintings for my characters to see, too. What fires the imagination is what matters the most in writing fiction. (more…)

Edward's apartment

October 21, 2013

Tags: Caillebotte, Edward, street views

When he returns to Paris from Rome, Edward sublets an apartment on the Right Bank in a new, comfortable district of straight boulevards, harmonious architecture, and no haunting history. Some critics claim that painters of urban modernity in the last quarter of the 19th C depicted alienation and emptiness. They would call your attention to how far Caillebotte’s solitary viewer is removed from the street. But to me, standing as he is at ease above a boulevard lined with trees and handsome buildings, the man suggests Edward: alone perhaps, yet content to contemplate the gifts of civilization and peace in contrast to the horrors of war.

For a street-level view by Caillebotte of the same sort of neighborhood (and solitary man), click here.

Fruit stand

August 29, 2013

Tags: Caillebotte, Jeanette

On the way to Amy and Sonja’s studio for a session of sketching in the chapter “Winter’s Cold,” Jeanette is struck by how artistically French tradesmen arrange fruits and vegetables. Those beautifully piled displays are something I love about Paris, which is why I put them in the novel and why I was mindful of this painting as I wrote. In the original manuscript, Jeanette banters with a fruitier while she makes her selection of apples to take with her. The scene was edited way down, but here are fruits to linger over—they are even summer fruits for August!