A blog about how paintings, photographs, and prints have helped me visualize my fiction—both Where the Light Falls and works-in-progress—with a hope that they will stimulate other writers and readers, too.
Click on images to see enlargements. In the text, click on words in color to activate links.
This painting was at the back of my mind for when I imagined a vineyard terraced below a limestone escarpment on the grounds of Dr. Aubanel’s sanatorium. Edward helps tend grapevines there in February 1880. It tickled me to discover in preparing this post that the picture was painted two years later in February 1882 (more…)
Working from the photographs, paintings, and—best of all for my purposes—elevation plans, plant lists, and a bird’s-eye layout in Derek Fell’s book Renoir’s Garden, I used Renoir’s estate, Les Collettes, near Cagnes to invent Dr. Aubanel’s (more…)
Edward is discouraged by his first view outside the L’Estaque train station, but then Winkie turns him around to look out over the bay of Marseille. For another version of this painting, click here. For another view from higher up, click here. For others, click here, here, here, and here. (more…)
Originally, I had intended to give the Renicks’ a house in Aix-en-Provence, where I spent a semester my sophomore year in college, and place Dr. Aubanel’s sanatorium near its thermal springs. Jeanette and Effie were to stay for a longish visit and encounter Edward swimming in the river Arc, where Paul Cézanne and Êmile Zola swam as boys. (more…)