Katherine Keenum


A blog about how paintings, photographs, and prints have helped me visualize my fiction—both Where the Light Falls and works-in-progress—with a hope that they will stimulate other writers and readers, too.

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An American woman art student meets a Civil War veteran in Belle Époque Paris.

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Malade

January 30, 2014

Tags: Amy, Carolus-Duran, Sonja, Monet, malade, model

When Amy returns from Pont Aven to find that Sonja has brought La Grecque and Angelica into their studio, she makes the best of what she considers a bad situation by insisting that the model earn her keep by posing. The idea of Amy’s unflinching desire to take advantage of the chance to study a sick woman’s appearance was suggested to me by several 19th C paintings of sick beds or death beds. The most haunting case, which Carolus-Duran recounts to Jeanette later in the novel, was Monet’s oil sketch of his wife, Camille, in the hour after her death. (more…)

Breton Bed

May 23, 2013

Tags: Amy, Jeanette, Mosler, malade

I made a big Breton bed a focal point in the Gernagans’ farmhouse kitchen partly because they were characteristic of Brittany and were depicted frequently in regional paintings. This painting by Mosler of a son returning to his father’s deathbed illustrates also the wider 19th C genre of an ill, dying, or dead person in bed. Later in Where the Light Falls, Amy and Jeanette both paint La Grecque posed as une malade.