To help me imagine scenes of Jeanette at her Aunt Maude’s house, this 1866 painting of a New York dining room supplied details of carpet, furnishings, crown moldings, door frames, etc. It also gave me a sense of how full Aunt Maude’s upstairs parlor should feel.
Most surprising and cheering were all the small oil paintings on the walls. The Hendricks would not have owned so many, but Contest for the Bouquet
shows that my young women artists were being realistic when they hoped to sell small-scale fine art to buyers for hanging at home.
By the way, this blog has turned up another coincidence: Do you see how the painting on the far wall echoes Moore's Morning over New York
in the previous post? Does anything else in the painting specially strike you?