Katherine Keenum

Whether Pissarro's Turkeys hung in the 4th Impressionist show (1879) or not, Caillbotte's Man Docking His Skiff certainly did. Because I had the good luck to see it in the Virginia Museum of Fine Arts, and could examine the actual weave of the canvas and brushstrokes it went onto a short list of paintings for my characters to see, too. What fires the imagination is what matters the most in writing fiction. Read More 

Monet’s Impression: Sunrise is the iconic one, the quintessential example of rapid brushwork used to capture a moment painted out of doors. I knew from The New Painting: Impressionism 1874–1886 (2 vols.; 1996) that it hung at the 4th Impressionist exhibition (April 10–May 11, 1879), but I chose not to mention it specifically during my characters’ visits to the show because other paintings served my thematic and narrative purposes more pointedly. For this blog, however, what better to pair with the study in the previous post? Read More 

Blog Tip: A review of the current Chicago version of the exhibition Impressionism, Fashion, and Modernity is well illustrated and informative. Thank you, Two Nerdy History Girls.

BLOG TIP: Check out yesterday’s informative GurneyJourney blog post on how John Singer Sargent and Claude Monet defined Impressionism and what they had to say about each other’s art.