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Picturing a World

Carolus-Duran (3)

Sargent’s portrait of his teacher—mon cher maître, as he has written across the top of the canvas—hangs at the Sterling and Francine Clark Art Institute. Seeing it there and recognizing the name as that of the real Jeanette Smith’s teacher was what set me off investigating the whole topic of American women art students in Paris. As I got into planning the novel, think what a gift it was to learn that this portrait won an Honorable Mention for Sargent at the 1879 Salon, the very year that Carolus-Duran won the top prize for his portrait of Countess V— discussed in the previous post. I knew at once they would both have to go into the novel. Read More 
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Jeanette Sterling Smith

This is the Jeanette Smith whose expulsion from Vassar and subsequent studies in Europe set me investigating women art students in Paris. The photograph, taken in Dresden, is my only concrete memento from her time abroad. After I had written the early chapters of Where the Light Falls, I looked at it again and thought, "Nah, not Jeanette Palmer." A girl with this face and these clothes didn't fit into my story as I told it to myself (though I did adopt her plumpness). The image I have in my mind of Jeanette's face is much closer to that of Eleanor Norcross.

Readers, for you is it the mysterious girl on Rita Frangie's alluring cover for the novel? How do you form your mental images of characters in books? Read More 
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