Katherine Keenum

I spent happy hours visualizing Cornelia Renick’s garden party, with very clear ideas of what Jeanette, Effie, and Emily were wearing. But although I dressed the men in black, I forgot their top hats (except Robbie’s)! Now, thanks to this image, when I reread my own chapter, I’ll have to  Read More 

A snowy recent post at the Ephemeral New York blog site sent me to the marvellous website of The Phillips Collection, which somehow I had missed up to now. In general, Beal’s work is  Read More 

Mention of Jeanette’s illustrated letters home had already been made in the narrative when my editor suggested using them to condense passages. The device proved helpful not only for summarizing events, but also for varying narrative rhythm and revealing the character’s attempts to shape her story for her family. In my imagination, moreover, I could make Jeanette as good a watercolorist as Albert Edelfelts! His letter (in Swedish) depicts “Mme Cotterau with Carolus Duran and Paul Deroulède.” It might as well be from Cornelia’s party after the portrait is unveiled, don’t you think?

For another page of the letter with a fashion doodle, click here.

For more information (in Swedish) at the vast Europeana website, click here

For an illustration of Paul Derouléde’s duel with Georges Clemenceau, click here. (Oh, the serendipity of the web!) Read More 

One of the better readers of my manuscript objected to having the two actresses appear at the garden party (too hokey), but I thought a little razzle-dazzle was called for. Besides, don’t we all get a kick out of a celebrity cameo appearance?

When I began my research, Sophie Croizette was discovery for me.  Read More 

Before it came time to design Jeanette’s costume for Cornelia’s garden party, I had seen Stevens' Summer at the Francine and Sterling Clark Art Institute. I went back. Perfect! On Jeanette’s budget, it had to be modified—among other things, fewer ruffles—but I loved the suggestion of a color for her, a grayish pink, ash rose, rose cinders (Cinderella at the ball?).

For an actual dress at the Victoria and Albert Museum that is somewhat similar, click here and look at the second dress on the second row.

For a large selection of French fashion plates from the 1870’s at the New York Public Library, click here.

For Griselda Pollock's discussion of Stevens' paintings of the four seasons at the Clark, click here. Read More 

Garden history is one of my interests, and this image of the Château de Vaux-le-Vicomte shows the 17th C garden designed by the great André Le Nôtre that led to his being hired by Louis XIV to design the gardens at Versailles. It perfectly expresses the Baroque æsthetic that dominated French gardens for the next 150 years. By the last quarter of the 19th C, such formality had given way to the more naturalistic styles. In my novel, however, the Renicks take pleasure in having been able to restore their garden to its 18th C splendor. I visualized their garden as smaller than this but large even so and also shaded on the sides by trees grown old by the 1870’s.

During my research, I visited the Musée Rodin, which gave me an image of the back of the Renicks' house and allowed me to visualize a large garden in the heart of Paris. Read More