Katherine Keenum

Blog post tip: On October 15, 2014, Rodama: a blog of 18thC & Revolutionary French Culture posted a series of six rare drawings of 18thC techniques for manufacturing and hanging wallpaper. They were probably intended as submissions for Diderot's Encyclopédie. For the historical fiction writer, can't they stimulate the imagination from the point of view of either the workers or the householder who ordered new decoration?

This detail of an advertising poster published in Cleveland, Ohio, appears in The Papered Wall, ed. by Lesley Hoskins, and illustrates the choices offered a buyer at the turn of the last century. I love seeing the woman customer out shopping for her "house beautiful," the expression on the salesman's face, and, of course, the patterns being offered at the time. Another example of not-great art that can be immensely helpful to the historical novelist.

When I wrote Where the Light Falls, I knew that Italians worked as bus conductors and artists' models in Paris, but nothing about them as sellers of plaster-cast images. Von Stetten's painting opens up a new topic for investigation, and just a few clicks have already landed me on an article about the plaster figure trade in London. More concrete detail for a story about the intersection of commerce and art!
 
For an etching of an itinerant plaster cast seller in London, click here.

Website tip: This Parisian street scene by Victor Gabriel Gilbert is part of February 1st Sotheby's auction. I wish I remembered more often to check auction house and gallery websites—they are such valuable resource for details of everyday life. Here, for instance, notice the bellows and the charcoal brazier on which the pots sit. Genre pictures can also raise questions about everyday life to follow up: What exactly is the woman on the right doing? And what is the green-stuff on the shelf under the Café au Lait sign?

Blog Tip: For details of another image to help imagine night in an earlier era, see Eye Candy for Today: Paul Sandby gouache nocturne at Lines and Colors.

Mostly, I like to highlight lesser known women artists, but sometimes it's worth calling attention to a man. A post at GurneyJourney reminded me of Danish painter, Carl Vilhelm Holsøe. Holsøe's depictions of rooms are atmospheric interiors, a genre at which his generation of Scandinavian artists seems to have excelled. (Think Harriet Backer or Anna Ancher.) I didn't know about him when I was imagining Jeanette's "portraits without people," but his work illustrates the way a room can embody psychological insight.
 
Pictures of rooms are also a boon to historical-fiction and fantasy writers for the details they provide—in this case, a candle in the darkness. 21st C people have little idea how dark rooms really were before electric lights. Older stories in which characters are hidden in shadow become much more believable when you experience a black-out, or light a room with only a candle or two as an experiment, or, as here, see the effect in art.

To see this still life as part of a larger interior, click here.

For more of Holsøe's work, click here.

My website is hosted by the Author's Guild, which this month revamped its design templates, the better to fit cellphones and other screens. To celebrate the new, I'm posting a glimpse of the past. For a writer of historical fiction, a magazine cover from the year about which she is writing, which itself illustrates an earlier period, seems about right. Besides, I love textiles.

I don’t much like 19th C caricatures, but I love the punch drinker’s salute to William Shakespeare’s bust here. As you probably know, the play Twelfth Night was written by Shakespeare in the winter of 1601–1602 (the first recorded performance was on Candlemas Night,  Read More 

Blog post tip: James Gurney’s recent blog post on the Dutch portraitist Thérèse Schwartze, which includes photographs of her at work on this portrait, alerted me to a woman painter who studied in Paris in 1879 with Carolus-Duran’s associate Jean-Jacques Henner. They just keep turning up!

For more of Schwartze’s work, including portraits of the Dutch royal family, click here. Read More 

I generally avoid posting photographs because of copyright issues, but Roger Kidd kindly includes the acknowledgment he requires for a Creative Commons reuse, and I do love this picture as an emblem for writing fiction, for facing an uncertain future in the new year, and for the power of nature. The tree is magnificent, and, look, that green, green path leads over an unseen canal. What could be more out there and yet more mysterious? Read More