I love it when (a) I find a new woman artist; (b) a picture widens my imaginary world; or (c) there's an overlap between my stories via an illustration. This etching by Mary Nimmo Moran shows me a possibility in the New York City that Jeanette visits when she goes to her Aunt Maude in Where the Light Falls. Since it seems to be up a hill, it may also illustrate a view Mattie might have up in Morningside Heights in "Anonymity"—although by 1908, the farm would likely have vanished. Best of all, I have learned that Mary Nimmo Moran was a female artist who was actually encouraged in her work by the artist husband who had been her teacher. Three cheers!
Picturing a World
Website tip: A very useful, illustrated booklet, Medieval & Early Modern Manuscripts: Bookbinding Terms, Materials, Methods, and Models, is available from Yale University in a high-res pdf. I've been using it for accuracy in my fantasy novella, which involves two libraries and a printer's shop.
The home page, Traveling Scriptorium, has links to related information, such as Species Identification of Animal Skins in Books & Manuscripts.
A propos of nothing—it's just that it tickled my fancy—I'm posting this image from an 1897 children's book. In a series of unrelated full-page illustrations, the book purports to depict England as it was when Queen Victoria ascended the throne in 1837 and as it was sixty years later. Interesting to see which inventions added up to the latest word in modernity in 1897 (also to see what books grown-ups bought for children). Via the superb blog, Art and Artists.