Blog post tip: Kathleen Jennings is one of my favorite illustrators working today and the late Diana Wynne Jones one of my favorite authors. Lovely to learn that Jennings has designed the cover for an Israeli edition of Jones's Power of Three. Check out Jennings' post for her preliminary sketches—it's always interesting to see how artists work.
Picturing a World
Deep immersion in the concrete details of everyday life is key to imagining past or fantasy worlds convincingly, so it is always a pleasure to find a well-written book that provides copious particulars about traditional technologies. Right now, I'm reading John Blair's Building Anglo-Saxon England, which draws on archeology, linguistics, economics, and other disciplines to examine Anglo-Saxon buildings, settlements, trade, and other aspects of the built environment in England between A.D. 600 and 1100. Pointing out that much of Anglo-Saxon construction was wooden and therefore has left few traces, Blair explores the ways scholars have come at questions sideways by analogies to living practices or through clever deductions.
And at least one wooden structure from the 11thC still stands—Greensted Church, pictured here. I have to say the log-cabin look is a surprise. It certainly may give me ideas for a rustic structure in a fantasy idea.
Before settling in to work on my fantasy novella this morning, I made the mistake of skimming the news. After that, I needed a better picture in my mind's eye, for sure, so I visited Terry Windling's Dartmoor Mythic Arts page, which, in turn, took me to Virginia Lee's home page and this mysterious landscape. I allowed myself to poke around at her website and found her illustrated edition of The Frog Bride by Antonia Barber, one of my favorite children's book authors. At Better World Books, I found a copy and ordered it. If you don't know that venue, its profits go to literacy programs, and it provides a carbon offset feature for shipping (at the grand cost of $0.04 in this case!). It's much more worth supporting than the behemoth Amazon. Sales of used books do not profit authors (don't I know!), but they do help circulate work on the budgets that so many of us book lovers can afford.
Serendipity in my blog crawling! The History Blog's Rare Brazilian feathered cloak restored, exhibited concerns a gorgeous orange-red cloak made of feathers while Honoring the Wild at Myth and Moor contains an image of a mysteriously evocative sculpture by Hib Sabin of a raven wearing just such a cloak. The detail of rarity hanging in a collection is from a 1666 catalogue of the Setalla Gallery of the Pinacoteca Ambrosiana in Milan. A spirit cloak, contemporary mythic sculpture, a 17thC cabinet of curiosities—so many hints and suggestions for metaphors and story lines. What would be your take?
Thanks to Line and Colors for the post on Cai. Read More