It has to be said of Félix Bracquemond, that although he was a domestic tyrant who stymied his wife’s career in the end, he also taught her well. Best known now for his etchings, he taught her printmaking techniques which she put to exquisite use as in this portrait of her sister, Louise Quivoron. There is no reason to deny that men have cramped women’s careers, but it might be an interesting challenge to write a novel about a marriage that simultaneously expands a woman’s capacities while constraining her ability to pursue an independent career. And what would her sister be like? What would be her role? Read More
Picturing a World
As I said in my previous post, Marie Bracquemond’s husband, Félix, hurt as well as helped her artistically. Although they both exhibited at one or more of the eight Impressionist shows, she was, in fact, more receptive to the new esthetic than he was; and his criticisms could be choleric. He also Read More
At last! A woman artist who was not squelched by her husband, but treated as an equal. This painting depicts Anna Ancher and her husband, Michael Ancher, thoughtfully absorbed in critiquing a canvas together. Read More
My first ever post showed three women artists in a studio. Because I love novels in which I share friendships vicariously, Jeanette’s time with Amy, Emily, and Sonja was always a major theme for me. Another was the seriousness with which women artists worked in the 19th C—a dedication that seems evident in this image. Read More
For Bracquemond’s etching of Bastion 84, click here.
For an amusing film clip of a snowball fight in 1896, click here.