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Picturing a World

Getty—recreate art

As a way to help us all cope with self-isolation, The Getty posted a challenge to recreate art in their collection using household objects. The Hammershøi response was so perfect for this blog (with its running motif of rooms as portraits without people) that I had to choose it for this alert. But really you should see the other colorful, witty examples at the Getty website and even better examples at Sad and Useless. (Now, is there a short story to be derived from some sequestered people using household objects to …?)

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Holsøe’s daydream

Carl Vilhelm Holsøe's painting is obviously not one of Jeanette's "portraits without people"; but it is an example of that stillness in a near empty room, interior recessions (in this case in the mirror), and the importance of a door that appeal to me and led me to invent the genre for her. Glimpses outward through a window are also always mysterious invitations. The October 23, 2019, Sotheby's catalogue calls this a "a tonal poetics of greys and blacks" and observes that "[t]he mirror imperceptibly reveals the imprints of a personality." It also refers to "the enigmatic effect of the silent atmosphere." Right. Can't you feel yourself becoming quieter just by looking at it?

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Holsøe’s Candlelight

Mostly, I like to highlight lesser known women artists, but sometimes it's worth calling attention to a man. A post at GurneyJourney reminded me of Danish painter, Carl Vilhelm Holsøe. Holsøe's depictions of rooms are atmospheric interiors, a genre at which his generation of Scandinavian artists seems to have excelled. (Think Harriet Backer or Anna Ancher.) I didn't know about him when I was imagining Jeanette's "portraits without people," but his work illustrates the way a room can embody psychological insight.
 
Pictures of rooms are also a boon to historical-fiction and fantasy writers for the details they provide—in this case, a candle in the darkness. 21st C people have little idea how dark rooms really were before electric lights. Older stories in which characters are hidden in shadow become much more believable when you experience a black-out, or light a room with only a candle or two as an experiment, or, as here, see the effect in art.

 

To see this still life as part of a larger interior, click here.

 

For more of Holsøe's work, click here.

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Zorn’s bathers

As we near Labor Day, Anders Zorn’s bathers are a reminder of summer’s pleasures that will soon be coming to an end. I loved this picture when I was writing about my young artists in Pont Aven. Nudes were basic to academic training  Read More 

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Wegmann and Bauch

Blog tip: This is one of around twenty portraits of Swedish artist Jeanna Bauck by her Danish friend Bertha Wegmann, who reciprocated with several portraits of Bauck. It appeared recently at a Gurney Journey post, one of several on artists painting each other’s portraits. What strikes me as a writer is the challenge in Bauck’s eye, her fashionable dress, the thoughtful touch of the eyeglasses to the mouth. What a lot the portrait could suggest for a fictional character!  Read More 

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Kitty Kielland's Studio

I love the way this painting illustrates a young artist’s studio as a place to live. The plain floor and dormer window hint at upper-storey, cheap digs. I didn’t include potted plants in any of my characters’ studios, but they turn up in other paintings and would be part of making an  Read More 

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Michael Ancher’s breakers

I gave my fictional artist Charlie Post an obsession with painting oncoming waves because that really was a motif for more than one 19th C painter—witness this one by Skagen artist Michael Ancher,  Read More 

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Anna Ancher’s summer

Today in the Berkshires is a day of hot sun, clear blue sky, and green meadows, lawns, trees, and plants. It’s summer. Anna Ancher’s Harvesters, on display at the Clark’s Women Artists in Paris, 1850–1900 perfectly captures the feel of such  Read More 

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Woman artist on a Breton beach

Yesterday, I went to the Women Artists in Paris, 1850–1900 show at The Clark in Williamstown. As good as I’d hoped—I’ll go again! Meanwhile, as I went through the galleries I played the game of deciding which painting I would choose if  Read More 

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Inside Looking Out

I had never seen a reproduction of Kitty Kielland’s Paris Interior until I read the catalogue for Women Artists in Paris, 1850–1900. Now I can hardly wait to see it, first and foremost because it represents the life of a young woman artist, the life explored in Where the Light Falls. Second because I love pictures of views out windows (in fact, I love real views framed by real windows). And third because of the samovar. Read More 

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