Blog post alert: Charley Parker's Lines and Colors strikes again and introduces me to British female artist contemporary with Jeanette— Jessica Hayllar—a painter who depicted those quiet interiors, "portraits without people." You can find more paintings by her here. To me as a storyteller, they suggest either a quiet harbor to retreat to, or a world about to be disrupted.
Picturing a World
I'm reading The Fairest of Them All by Maria Tater (2020), and naturally the first thing I did was look at all the pictures. The blue-and-white vase in this one caught my eye because I have a friend who is an expert on blue-and-white china. It amuses us both to come across it in odd contexts—in this case, a picture of Snow White's stepmother by Katharine Cameron from Louey Chisholm's In Fairyland (1904). That date for a children's book puts it squarely in my character Mattie's world, and Cameron just might be someone for Amy Richardson to know if I decide to follow Amy's story.