Website alert: Via a History Blog post, I got to this YouTube tutorial from English Heritage on how the Romans prepared and applied cosmetics. Imagine a tiny, curved mortar with a curved pestle that doubled as an applicator for eye-liner! Don't just imagine—watch. (With bonuses on Roman fabric dyes and wig-weaving.)
Picturing a World
My website is hosted by the Author's Guild, which this month revamped its design templates, the better to fit cellphones and other screens. To celebrate the new, I'm posting a glimpse of the past. For a writer of historical fiction, a magazine cover from the year about which she is writing, which itself illustrates an earlier period, seems about right. Besides, I love textiles.
What fun! An article, Paris Dressmakers, in the December 1894 issue of Strand Magazine reports on the fashion salon of the couturier known as M. Félix: “A gallery leading from the first salon to a second has four large panels, painted by Louise Abbéma, representing Sarah Bernhardt in ‘Ruy Blas,’ Croizette in the ‘Caprices of Marianne,’ Ada Rehan in the ‘School for Scandal,’ and a fancy costume of the period of Louis XV.” Read More
Marottes were wooden or papier mâché forms used by hatmakers when they were decorating or showing their wares. They are clearly akin to penny wooden dolls and also remind me of artists’ lay figures. According to the OED, the word is possibly related to marionette, although the etymology of both is obscure. Read More
I am reading the catalogue for Degas, Impressionism, and the Paris Millinery Trade, a 2017 exhibition at the Legion of Honor museum in San Francisco. The show has now closed, but the museum mounted a great website where you can still explore some of its themes and images—including this illustration by Courboin. Read More