Picturing a World
How I am looking forward to the upcoming exhibit, Women Artists in Paris, 1850–1900 at the Clark Art Institute! I am fond of saying that writing historical fiction forces a novelist to ask different questions from those of historians, even cultural historians. For instance, where did a woman Read More
Just for the fun of it, the Botticelli fresco seen in the previous two posts!
Now consider this: A fresco of female mythological figures is shown in two paintings that also include a woman copyist. The first is by a man and shows the copyist off to one side; the second is by a Read More
Website tip: As a follow-up to yesterday’s post Étienne Azambre, check out Gale Murray's review of the Women Artists in Paris, 1850–1900 exhibition in the on-line journal Nineteenth-Century Art Worldwide. Along with many other images, it contains Goeneutte’s 1892 painting of Desboutin and his male friends in front of the same fresco at the Louvre that Read More
At a lecture in advance of the Clark Art Institute’s upcoming show, Women Artists in Paris, 1850–1900 (June 9–Spetember 3, 2018) I learned about this painting by Étienne Azambre (1859–1933). Azambre was an almost exact contemporary of the real Jeanette and studied at the Académie Julian from 1879 to 1882 in the studio of Adolphe William Bouguereau and Tony Robert-Fleury, where I place my fictional Jeanette. Wish I had known about her in time! Read More
Website tip: I've just run across this drawing of Claude Monet by Carolus-Duran, which is up for sale. They were friends, and it's fun to see that they posed for each other informally. I suspect both would be astonished (and flattered?) at the asking price of $26,000!
Blog post tip: In Where the Light Falls, I invented a private supper club for my women artists. With my eye turned now toward New York City and woman’s suffrage, it is fascinating to read about the feminist Sorosis Club’s first lunch at public restaurant, Delmonico’s.
For a digitization of an 1893 article about the club in Cosmopolitan Magazine, click here. Read More
My intention has been to write a series of posts on the physical senses—sight, sound, taste, feel, smell—how we experience them, how they combine, and how writers can make better use of them in evoking the living world. But you know the story: it's been a busy week. Then this little guy Read More
We can detect movement most easily through sight: we see something change position in relation to other objects. We hear movement: rustling, whooshing, gurgling; Doppler changes in volume and pitch. We feel it as changes in pressure against our skin or bodies: mothwing zephyrs, vibrating tuning forks that buzz in our fingers, the ripple Read More