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Picturing a World

Double portrait

This striking double portrait caught my attention mostly because it's beautiful, but I lingered over it because it falls in the period of my work-in-very-slow-progress, "Anonymity." I checked, and, sure enough, Edmund Charles Tarbell (1862–1938) was an almost exact of the real Jeanette Smith whose story prompted my delve into the experience of women art students in Paris. (Surprise, surprise! Tarbell also studied at the Académie Julian.)

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Hats, mirrors, frames

Blog post alert: Eye Candy for Today: Tarbell's Preparing for the Matinee caught my eye because it plays with cool interior spaces and a hat. You know the old joke: A lady from New York asks Bostonians where they get their hats and the answer is, "We have our hats!"

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On horseback, in pants

For my work-in-progress, I’ve been reading the autobiography of journalist Ida M. Tarbell, All in the Day’s Work. In 1892 for a McClure’s Magazine article, Tarbell interviewed the French archeologist and writer Jane Henriette Magre Dieulafoy, who with her husband Marcel worked on excavations in Persia.  Read More 
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