Katherine Keenum

Although bulb spears and even daffodil buds are showing in south-facing patches, we've still got snow on the ground here in the Berkshires. A little shivering among the flowers? With a bend in meaning from the original, this example of the paper engineering art of Ukrainian illustrator Yevgeniya Yeretskaya seems a perfect way to say goodbye, Winter—hello, S-S-Spring!

When I was a child, my mother had a rule that you couldn't buy a book unless you had first borrowed it from the library and knew you wanted to read and reread it. Well, as soon as I got wind of Shaun Tan's new book, Creatures, I borrowed it through interlibrary loan. The art work, of course, is terrific. I turned each page. At his comments in the final section, I started flipping back and forth. The more I got out of the pictures, the more I knew I wanted to study them again and again—and also to think more about what Tan has to say, not only about these pieces in particular, but about art and stories in general. Right. I bought a copy (from an local independent bookstore, natch).

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My copy of Little, Big (to which I subscribed in 2008!) arrived last week; and, oh, yes, it was worth the wait. The interplay of John Crowley's text and Peter Milton's art is just what they hoped: the illustrations are independent of the text and yet they illuminate. In fact, earlier this week, I woke up and saw out my window a Peter Milton landscape. My bedroom window looks up a field to a row of white pine trees. In the gray light of early morning, light snow had fallen and the scene might as well have been one of his etchings. When a book makes you see through its eyes, well, what could be better?

Today, while a thin dusting of snow lies over the hills outside my window, a used copy of Boxwood (1960 edition) arrived in the mail. The book was a collaboration between the woodcut engraver, Reynolds Stone, and poet Sylvia Townsend Warner, who illustrated a set his landscapes. For more about the project, including four examples, see 'Possibilities in a Collaboration': Boxwood in Context.

Babel by R. F. Kuang is another of my presents-to-myself. I've only read a few pages; but so far, it's a yes, even though reviews (like this one) make clear that the story is very dark. Well, black-and-white art is obviously appropriate for a noirish novel; and what I want to call attention to today is the jacket illustration by Nico Delort, shown here in two versions.

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I can't resist reverting to vicarious glamour for New Year's Eve. Nope, not going to a party myself, but isn't this one just too, too? Wherever you are and whatever you're up to tonight, Happy New Year!
Image via Antique Print & Map Room

I came across Around the Christmas Tree when it turned up as a jigsaw puzzle among the activities in Jacquie Lawson's deliciously sentimental Advent Calendar. It's from the French fashion magazine, Art, Goût, Beauté, which was published in Paris from 1920 to 1933. In handsome, hand-colored, stencil images, the magazine illustrated designs by such couturiers as Jean Patou and Paul Poiret. I couldn't find the 1923 issue on line, but you can see the December 1922 issue in full here.

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Over the years I've enjoyed collecting images to illustrate terms and allusions in Greer Gilman's Moonwise. For this year's reading, it was "Who'll dig his grave? I said, the owl," which comes from The Death and Burial of Cock Robin. What specially tickled me was discovering the Cock Robin Card Game published by Mcloughlin Brothers in the latter part of the 19th C. In brief, players first have to correctly identify the verse that goes with a picture or vice versa. Then when all the cards have been identified, the rules turn it into a sociable party game of forfeits. Right there historical fiction writers have a use for the tidbit.

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Artist Karrie Fransman and her husband, IT guy Jonathan Plackett, collaborated on Gender Swapped Fairy Tales. He devised an algorithm to swap the genders of characters in fairy tales. She illustrated the results. To learn how two creative people work together, check out the video at the link above. It's charming and just might stimulate your own work.

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You don't need me to tell you that tomorrow's election matters. Women's rights and health are on the line. Our suffragist foremothers, who won us the vote, would be out in force!
 
I haven't been able to find a recording of "Votes for Women: International Suffragists' Song" on the internet (which tells you something, doesn't it?), but the link takes you to the sheet music as well as the cover. And a bonus: If you feel jittery about the upcoming results, you can pass some time by building Votes for Women as an online jigsaw puzzle.