Over the years I've enjoyed collecting images to illustrate terms and allusions in Greer Gilman's Moonwise. For this year's reading, it was "Who'll dig his grave? I said, the owl," which comes from The Death and Burial of Cock Robin. What specially tickled me was discovering the Cock Robin Card Game published by Mcloughlin Brothers in the latter part of the 19th C. In brief, players first have to correctly identify the verse that goes with a picture or vice versa. Then when all the cards have been identified, the rules turn it into a sociable party game of forfeits. Right there historical fiction writers have a use for the tidbit.
Picturing a World
Game of Authors
September 1, 2022
Blog post alert: Sienna McCulley, a 2021 intern at the American Antiquarian Society, recently posted Quicken the Thought — The Game of Authors. The card game was first published in 1861 and has gone through countless iterations, as can be seen in a published compendium.
Miss La La again
December 4, 2016
When I sent my characters to the Cirque Fernando in Where the Light Falls to see Mlle. La La perform, I had no idea that the real woman painted by Edgar Degas was a mixed-race performer. Read More
Crime and dance
May 19, 2014
Sometimes interests converge. A recent post on The Gangs of Paris at the Victorian Paris blog sent me investigating the story-telling, tough-guy, tough-gal Danse Apache or Apache Dance (pronounced ah-PAHSH in both French and English), which originated in France and quickly moved to the American stage in 1908. Read More
Salome
February 27, 2014

Robert Henri, Salome (1909)
As a follow-up to my last post, here’s a quick look ahead at naughty behavior in New York City in 1908, the setting for my current work-in-progress. I came across Robert Henri’s portrait of the dancer Mademoiselle Voclezca in a 1995 exhibition catalogue, Metropolitan Lives: The Ashcan Artists and Their New York. More astonishing to me than the painting were several paragraphs about a craze for “Salome dancers.” Read More
Puppets in the Park
December 23, 2013
It’s December 23rd, the day Cousin Effie takes Angelica to a marionette show in the park, so I’m going to leave Jeanette and Edward in the summertime Luxembourg Garden and detour into Christmas. Well, I admit it's also summer in Ellen Houghton's picture of a puppet show in the leafy Tuileries Garden, Read More
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Croizette and Bernhardt
October 31, 2013
One of the better readers of my manuscript objected to having the two actresses appear at the garden party (too hokey), but I thought a little razzle-dazzle was called for. Besides, don’t we all get a kick out of a celebrity cameo appearance?
When I began my research, Sophie Croizette was discovery for me. Read More
When I began my research, Sophie Croizette was discovery for me. Read More
Showboat
April 18, 2013
When Edward tells Cornelia Renick about taking Jeanette and Effie to the Cirque Fernando, they are reminded of a childhood escapade when they watched horses perform aboard a showboat on the Ohio River. In a slightly longer draft of this passage, I specified that they kept watch over the building of Spaulding and Rogers' spectacular Floating Circus Palace, which seated 3,400 and was launched in Cincinnati in 1851 when they would have been about ten or eleven years old. As far as I'm concerned, the escapade happened. Read More
Cirque Fernando
April 15, 2013
After their successful outing to the World's Fair, Edward takes Jeanette and Effie to the Cirque Fernando (later the Cirque Medrano), which featured horseback riders, clowns, and acrobats in a wooden hippodrome on Montmartre, built like a giant circus tent. Degas' painting of Mlle La La, hanging from a trapeze by her teeth, led me to have her perform that night. Later in the novel, my characters see the painting itself at the 4th Impressionist show. For Toulouse-Lautrec's depiction of the ringmaster and a rider, click here.
For a spring 2013 exhibition at the Pierpont Morgan Library centered on this picture, click here. Read More
For a spring 2013 exhibition at the Pierpont Morgan Library centered on this picture, click here. Read More
World's Fair (I): Glass
April 1, 2013
The World's Fair of 1878, or Exposition Universelle, was held to celebrate France's prosperous return to the world stage seven years after the Franco-Prussian War. It was big, it was grand, it was modern. The glass-and-steel domes of the Main Exhibition Hall may look old-fashioned to our eyes, but it is still impressive for its airy joie de vivre. If you click on the image to the left, a link will take you to a French site with photos chronicling its construction. And, no, this isn't an April Fool's Day joke! Read More