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Picturing a World

Time and Lifelode

Having just finished The Order of Time by Carlo Rovelli, I've gone back to reread the book to try to understand it point by point—that is, to work through my own confusions and queries. One way, of course, is to go slow and ponder. Another is to call in speculative fiction—to read stories that flesh out concepts that are quantified by physics and mathematics. Exhibit 1: Lifelode by Jo Walton.

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Picturing a nightmare

An article, "This is a wake-up call': Booker winner Paul Lynch on his novel about a fascist Ireland, prompts me to write briefly about Lynch's deeply immersive novel, Prophet Song. What I have chosen for today's illustration, however, is The Great War, a wordless panorama by Joe Sacco. Why? Because, given the threats that loom over us today, I've been musing lately on how art can best capture the lived human experience of the nightmares we inflict on each other and ourselves.

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Murder Most Royal

Two titles on a bookstore's web page for 2023 Christmas murder mysteries sent me to the public library. I had read S. J. Bennett's Windsor Knot, the first in her series about Queen Elizabeth II as a detective and enjoyed it enough to borrow Murder Most Royal as light Christmastime reading. My conclusion: not enough Corgis, but thumbs up to a mildly amusing visit to Sandringham for the holidays. For an interview with the author, click here.

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Ghost stories

Blog post alert: Kathleen Jennings has a long, amusing, and excellent post on Some elements of ghost stories. Instead of piggy-backing too much on Jennings, however, I chose a picture form John Muth's Zen Ghosts (which includes a Japanese ghost story) because I love both the story and the art.

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Liz Williams

A review by Kate Macdonald sent me to my interlibrary loan catalogue and, sure enough, I could borrow Comet Weather by Liz Williams. So I did. I loved it and went back to search for its sequel, Blackthorn Winter. No go. I'd have to buy it. Hmm. There were two more titles in the Fallow Sisters series— I took a chance and bought all four. Am I ever glad!

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Letters to Camando

Cover, Letters to Camando (2021)

Letters to Camondo by Edmund de Waal, the July selection for my public library's book club, is a book about archives and memory, memorials and loss. I read it a first time with interest. A second reading to formulate discussion questions (see below) deepened my interest to admiration, sorrow, and gratitude.

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Blue Book of Nebo

Advertising poster (2021)

I have just completed a set of discussion questions for my public library's April book club selection, The Blue Book of Nebo by Manon Steffan Ros (see below). I read it in a library copy, then bought my own to reread—along with The Seasoning, which I'm reading now with great satisfaction. To catch how you should hear her stories, listen to her reading aloud the opening of Nebo.

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Great Wave

How I wish I had known Camille Claudel's Bathers when I sent Jeanette, Amy, and Emily skinny-dipping in Where the Light Falls! It's only one of a hundred images and ideas to spark imagination in the wide-ranging Hokusai's Great Wave: Biography of a Global Icon by Christine Guth. I began reading the book in conjunction with, Hokusai: Inspiration and Influence, an exhibition open at the Museum of Fine Arts in Boston through July 16, 2023. I'm finding that it sends me back to Jeanette and Paris.

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Little, Big arrives!

My copy of Little, Big (to which I subscribed in 2008!) arrived last week; and, oh, yes, it was worth the wait. The interplay of John Crowley's text and Peter Milton's art is just what they hoped: the illustrations are independent of the text and yet they illuminate. In fact, earlier this week, I woke up and saw out my window a Peter Milton landscape. My bedroom window looks up a field to a row of white pine trees. In the gray light of early morning, light snow had fallen and the scene might as well have been one of his etchings. When a book makes you see through its eyes, well, what could be better?

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Zadie Smith on how to read history

Essay alert: At the beginning of Black History Month in America, I strongly recommend Zadie Smith's review of an updated reissue of Black England by Gretchen Gerzina. I admit I haven't read the book; but the review by itself, with its probe of complexities, is so thoughtful that it can stand alone.

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