Picturing a World
Meanwhile, to see both the finished portrait of Mme. Feydeau and the portrait of Countess Vandal in color, click here.
And for an actual golden dress worn by the subject of one of Duran’s paintings, click here. Read More
Admittedly, a digital reproduction of a photograph of a painting is tertiary evidence at best, but knowing that the French government took such pains in documenting its purchases demonstrated art’s importance in official policy. Governmental encouragement contributed to the sense of art students like Jeanette that Paris was the best possible place for them to be. Read More
For an article on the official annual art exhibitions in Paris and London, click here. Read More
The McCall Mission was a Protestant missionary group. When I first ran across a reference to it in a published diary of sculptor Lorado Taft from his days as a student in Paris, I almost whooped with glee in the library. Now, I knew what Cousin Effie did with her spare hours!
For other views of the scummy river, click here and here. Read More
Mention of Jeanette’s illustrated letters home had already been made in the narrative when my editor suggested using them to condense passages. The device proved helpful not only for summarizing events, but also for varying narrative rhythm and revealing the character’s attempts to shape her story for her family. In my imagination, moreover, I could make Jeanette as good a watercolorist as Albert Edelfelts! His letter (in Swedish) depicts “Mme Cotterau with Carolus Duran and Paul Deroulède.” It might as well be from Cornelia’s party after the portrait is unveiled, don’t you think?
For another page of the letter with a fashion doodle, click here.
For more information (in Swedish) at the vast Europeana website, click here
For an illustration of Paul Derouléde’s duel with Georges Clemenceau, click here. (Oh, the serendipity of the web!) Read More