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Picturing a World

Art, activism, and mythic fiction

Yesterday, I attended a meeting about changes to a Massachusetts program to promote solar energy in the Commonwealth and then came home to read Terri Windling's blog post on Art and Activism. The post is illustrated by absorbing gouache and watercolor paintings by the wonderful artist, Kristin Bjornerud.  Her pictures can inspire writers, maybe by literally suggesting a story line, maybe by leading to idiosyncratic explorations of what she calls "dream logic."
 
Windling quotes Bjonerud as saying, "My aim is to create contemporary fairy tales that act as a medium through which we may consider our ethical obligations to the natural world and to each other. Retelling and reshaping stories helps us to understand how we are entangled, where we meet, and how our differences may be viewed as disguises of our sameness."

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Book buying

Before settling in to work on my fantasy novella this morning, I made the mistake of skimming the news. After that, I needed a better picture in my mind's eye, for sure, so I visited Terry Windling's Dartmoor Mythic Arts page, which, in turn, took me to Virginia Lee's home page and this mysterious landscape. I allowed myself to poke around at her website and found her illustrated edition of The Frog Bride by Antonia Barber, one of my favorite children's book authors. At Better World Books, I found a copy and ordered it. If you don't know that venue, its profits go to literacy programs, and it provides a carbon offset feature for shipping (at the grand cost of $0.04 in this case!). It's much more worth supporting than the behemoth Amazon. Sales of used books do not profit authors (don't I know!), but they do help circulate work on the budgets that so many of us book lovers can afford.

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Feathered spirit cloak

Serendipity in my blog crawling! The History Blog's Rare Brazilian feathered cloak restored, exhibited concerns a gorgeous orange-red cloak made of feathers while Honoring the Wild at Myth and Moor contains an image of a mysteriously evocative sculpture by Hib Sabin of a raven wearing just such a cloak. The detail of rarity hanging in a collection is from a 1666 catalogue of the Setalla Gallery of the Pinacoteca Ambrosiana in Milan. A spirit cloak, contemporary mythic sculpture, a 17thC cabinet of curiosities—so many hints and suggestions for metaphors and story lines. What would be your take?

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