Blog post alert: In the midst of my annual rereading of Greer Gilman's Moonwise and while I'm writing a short story about an artists' collective, along comes Bloomsbury Jamboree 2021 at Spitalsfield Life. Wonderful! It will certainly make you wish you could go to London and may give you ideas for your own holiday crafts or artistic ambitions. (And if you read Moonwise, you will know why I call Matilda Moreton's bowls Cloud Bowls.)
Picturing a World
The Dawn of Everything: A New History of Humanity by David Graeber and David Wengrow is full of interesting discoveries and arguments. One idea grabbed my attention. Neuroscience, they say, seems to show that self-aware thoughts on a problem generally last about seven seconds. "[T]he great exception to this is when we're talking to someone else. In conversation, we can hold thoughts and reflect on problems for hours on end" (p. 94). Graeber and Wengrow point out that many ancient philosophers framed their writings as dialogue. I would add, think how often writers have written as though there were a devil and an angel or two sides of personality arguing with each other when they want to depict a mental struggle. The device can seem contrived, but maybe it arises out of more than convention.
The news that at eighty-seven Alan Garner has just published another novel—Treacle Walker—is reason enough to celebrate. No surprise: it's superb. As always, Garner's prose has the compactness, rhythms, and multilayered power of poetry. His imagination is vivid and odd. And it's all rooted in the part of Cheshire where he grew up and has lived almost all his life. Another reason to celebrate: he has made a gorgeous promotional video that shows the house in which the story is set, a copse that plays a part in it, and three talismanic objects.
A tick bite has me on a prophylactic antibiotic, which in turn has side effects. Drat! But it's a good excuse to post this image of a convalescent by Helen Schjerfbeck, which I recently ran across in an article about the artist. Schjerfbeck was a splendid find for me at a show of Women Artists in Paris at the Clark. She's quite astonishing.
Convalescence was a common motif in late-19th C painting, but this one strikes me as particularly interesting because it doesn't stress piteousness. Instead it shows the child on the mend—a welcome motif during a pandemic. Or at the start of tick season. Stay well, everybody.
Blog post alert: Charley Parker's Lines and Colors strikes again and introduces me to British female artist contemporary with Jeanette— Jessica Hayllar—a painter who depicted those quiet interiors, "portraits without people." You can find more paintings by her here. To me as a storyteller, they suggest either a quiet harbor to retreat to, or a world about to be disrupted.
I'm reading The Fairest of Them All by Maria Tater (2020), and naturally the first thing I did was look at all the pictures. The blue-and-white vase in this one caught my eye because I have a friend who is an expert on blue-and-white china. It amuses us both to come across it in odd contexts—in this case, a picture of Snow White's stepmother by Katharine Cameron from Louey Chisholm's In Fairyland (1904). That date for a children's book puts it squarely in my character Mattie's world, and Cameron just might be someone for Amy Richardson to know if I decide to follow Amy's story.