Picturing a World
In tidying up some computer files, I came across this whiz-bang drawing of a moving house by Albert Robida. It made me laugh all over again. Look at the lass pointing an umbrella on the lower porch balcony—she could be Myrtle in Philip Reeve's very funny steampunk novel, Larklight! In fact, David Wyatt may well have been partially inspired by Robida for his wonderful period-flavor, Larklight illustrations.
A terrific post, Mapping the 16th century garden, at The Gardens Trust's blog, pointed out the trees on the 1588 map of Luca in Braun and Hogenberg's Civitates Orbis Terrarum. Trees planted along the ramparts of a walled city—like a boulevard! Characters could stroll in peacetime. Could soldiers take cover during hand-to-hand fighting if the wall were overtopped by an invading army? For historical fiction, further investigation is called for; for fantasy, imagination. Meanwhile, a little moment of research rapture.
For those of us who love Tolkien's Middlearth, September 22nd is a red-letter day not only as the first day of fall but as the shared birthday of Bilbo and Frodo Baggins. In a recent Myth and Moor post on The Mythic Art of Alan Lee, the illustrator is quoted as saying "I don't think I've ever seen a drawing of a hobbit which quite convinces me." All I can say is, this 15th C bas-de-page detail is a good place to start! And if you can, sit out under a tree and have a little something in honor of Bilbo and Frodo.
This picture of a mythological subject by Katsushika Hokusai is one of 103 drawings recently acquired by the British Museum. They were preparatory sketches for a book that was never published. In a way, they fit into Jeanette's Parisian art world, because the set was acquired by Henri Verver (1854–1942), a jeweler and early collector of ukiyo-e woodblock prints. What struck me immediately, though, was how the image relates to a Japanese word, komorebi for those dawn sunbeams radiating through trees on a misty morning. Or, for that matter, to comic books—ka-pow!
Blog post alert: Author-illustrator James Gurney has posted a Q&A on his world of Dinotopia well worth reading. He makes the point, for instance, that fully illustrated books are immersive and provide triggers to deepen the reader's involvement in imagining that world. One answer to a question, however, startled me.
I'm reading The Fairest of Them All by Maria Tater (2020), and naturally the first thing I did was look at all the pictures. The blue-and-white vase in this one caught my eye because I have a friend who is an expert on blue-and-white china. It amuses us both to come across it in odd contexts—in this case, a picture of Snow White's stepmother by Katharine Cameron from Louey Chisholm's In Fairyland (1904). That date for a children's book puts it squarely in my character Mattie's world, and Cameron just might be someone for Amy Richardson to know if I decide to follow Amy's story.
Kathleen Jennings is the first to say that her new short novel, Flyaway, is not for everyone. But if you are a fantasy-fiction aficionado, yes. If you keep an eye on the arts Down Under, yes. If you are a fan of illustrated books and especially Jennings' own silhouettes, yes. If you are interested in how to adapt traditional European folklore to modern settings in the rest of the world, yes. And if you want to observe a skillful unfolding of one plot (the gothic story) that at the same time explores a quite different center of emotion (a damaged yet potent friendship), yes.
Blog post alert: Escape to Epping Forest! Admire the Eeyore huts built by local inhabitants. No point except it's lovely (and, of course, just might inspire a story). Via Spitalfields Life (and thank you).
A post, Undine Love: Reprint, new art, at Kathleen Jennings' blog took me to the reprint of her story, "Undine Love," in full at Tor. What a treat—both the story and the silhouettes! They are a reminder that updating a fairy tale or folkloric motif can be a great way to begin a story of your own. The backbone of plot comes essentially ready-made, leaving you free to work on other aspects of composition—setting, character, dialogue, incidents (as opposed to the underlying structure). The talent to illustrate would be a big bonus—and might just affect the tone and finished piece. Wish I had the talent and the training!