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Picturing a World

Parisian posters

On Sunday, I attended the opening lecture for a new exhibition at the Clark Art Institute, The Impressionist Line: From Degas to Toulouse-Lautrec, which examines works drawn or printed on paper. The show runs through January 1, 2018, with several talks and activities  Read More 
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Telling, little details

When Jeanette goes into her first bakery in France, she notices the white cards with prices written in a Continental hand. Those price cards and their style of numbering had stuck in my mind ever since my student days in France, so it’s not surprising that I smiled this morning when I saw  Read More 
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Marie-François Firmin-Girard

Blog post alert:> Thanks to a post at Line and Colors for introducing me to Marie-François Firmin-Girard. I love finding pictures that I might have used for Where the Light Falls had I come upon them in time.  Read More 
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Old London

Blog alert: Every morning, I check the blog Spitalfields Life. Today’s post, A Walk in Long Forgotten London is one of several devoted to Walter Thornbury’s Old & New London, an 1873 compilation of engravings of the London that was already disappearing when it was published.  Read More 
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Petit Honoré

It was great fun to invent the Petit Honoré where Robbie Dolson takes Jeanette and Effie instead of to Tortoni’s—so much fun that I made the café a favorite of Effie’s. (Generally speaking, if someone or something is important enough to  Read More 
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Votes for Women in Cincinnati

Of course, this should have been posted on Monday with an exhortation to vote (I hope you did). If you find the results of Tuesday's elections depressing, remember our foremothers worked and worked and kept working despite.

The Library of Congress captions this photograph, "Miss Louise Hall with brush and Miss Susan Fitzgerald assisting bill posting in Cincinnati."  Read More 
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Bristol, Virginia/Tennessee

I’m headed today for Bristol, where the Virginia/Tennessee state line runs right down a main street. Tomorrow at 10 A.M., I’ll be reading at the public library.

Readers: Doesn’t this picture invite story-telling?  Read More 
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Edward's apartment

When he returns to Paris from Rome, Edward sublets an apartment on the Right Bank in a new, comfortable district of straight boulevards, harmonious architecture, and no haunting history. Some critics claim that painters of urban modernity in the last quarter of the 19th C depicted alienation and emptiness. They would call your attention to how far Caillebotte’s solitary viewer is removed from the street. But to me, standing as he is at ease above a boulevard lined with trees and handsome buildings, the man suggests Edward: alone perhaps, yet content to contemplate the gifts of civilization and peace in contrast to the horrors of war.

For a street-level view by Caillebotte of the same sort of neighborhood (and solitary man), click hereRead More 
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Autumn street scene

When Sonja is ready to begin work on portrait medallions for Edward, she and Jeanette walk one silvery, wet night from La Poupée en Bas to the studio on the Rue Madame. I’d say Hassam’s picture depicts October rather than November, and the hour is obviously closer to sunset than true darkness. Still, it is the sort of streetscape that helped me imagine Paris in various seasons and lights. Notice especially here, the streetlamps and shop widows in the misty distance horizontally across the middle third of the painting. Read More 
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Café Tortoni

The Café Tortoni was a real place, posh and successful for most of the 19th C. Martial’s etching shows the Morris column or advertising kiosk that Robbie pretends to be perusing when Jeanette, Cousin Effie, and Emily arrive expecting to be treated to its famous ice cream.  Read More 
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