Katherine Keenum

I’ve been to Poughkeepsie, I’ve been to New York, I’ve been Paris—but never to Cincinnati. Old maps, photos, and drawings in 19th C guide books helped me visualize Edward’s city up to a point. What made me feel the place in my muscles were some drawings of hillsides and public stairs in a 1968 book called Cincinnati Scenes by Caroline Williams. This was crucial for imagining Edward’s climb to Theodore’s house on Mount Auburn after the mugger’s attack. A photograph of the steps from Dorchester Street to Sycamore Hill gives you an idea of how steep those hills really are. (And don't you love how the man at the bottom of the stairs echoes the man on the bridge on the cover?) Read More 

The cars tell you that this photograph of the Tenth Street Studio Building was taken in the 20th Century, but the picture gave me enough information to imagine the street as Jeanette, Effie, and Mrs. Palmer would have seen it. Notice how big the windows are compared to those in the building next door—an unmistakable sign of an art studio.
Artists with studios in the Tenth Street Building were nothing like the Romantic artist starving in his garret. These men wanted to entice and impress clients, to strut out as the accomplished professionals they were, as you can see here. For the sumptuousness of William Merritt Chase's studio, see this painting.  Read More