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Picturing a World

Tiny story formats

This engraved illustration to a page in Edward Young's Night Thoughts by William Blake from his own watercolor design demonstrates pictorial drama, while the thirty-line text shows approximately how long a one-page tiny story could be. Blake reacted to the poem. We, on the other hand, could ignore it and react to the imagery as inspiration for a story. As I said in my last post Kathleen Jennings has a good post on formats for tiny illustrated stories.

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Women's work in 19th C France

Blog post alert: The diagram shown here appears in a blog post 7 Suitable Career Options for 19th Century Women in France. Admittedly, there can have been only so many nuns, midwives and teachers in France during the entire century. But when you take into account that farm and factory workers, servants, and merchants must have made up a large portion of the female population, you realize the cliché of women 's being restricted to the domestic sphere applied only to the relatively small middle and upper classes. Iva Polansky, author of the Victorian Blog, gets it.

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Wild Folk: Tales from the Stones

Magic alert: The most magical thing I've seen in a long time—the promotional trailer for Wild Folk Tales from the Stones by Jackie Morris and Tamsin Abbott. Whole worlds of inspiration about friendship, age, place, workspace, art, and myth in this five-minute video, plus word of a must-have book.

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Dunluce Castle in the rain

 

Fantasy writers' prompt: This photo at Geograph is accompanied by a caption: "Dunluce is one of the most picturesque and romantic of Irish Castles. With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th centuries. (When it is not raining!)"
 
Okaaay—so what happens when it does rain?
 
An editor might move the parenthesis to follow the first sentence. Fantasy writers? Get to work on time slips and morphing ruins!

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Blue kimono haiku

My earlier post on Marie Danforth Page mentioned this self-portrait. Looking at it again, I was struck by Page's slightly amused, slightly challenging gaze out of the corner of her left eye. The side glance is explained in part by the painter's need to look in a mirror over her shoulder for a three three-quarter's pose, but it set me thinking about how she might be interpreted as a character in a story. First result: three Imagist haikus (with apologies to William Carlos Williams).

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Bertha Wegmann's Autumn

I have posted before about Danish artist, Bertha Wegmann (here and here). Today's link is to a Lines and Colors post that provides more of her work—including this autumnal landscape, which fits the views in New England these days. Enjoy!

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Bear story

Serendipity + disparate connections = story possibility. Recently, my husband and I took a drive along a rural back road. In the side yard of a pretty 19th C farmhouse, a black bear was asleep. When we stopped, it roused and ambled away. On our return down the same road later, there it was again. When I e-mailed a niece about it, she replied, "The Napping Bear—it could be a pub or home goods store or anything." I thought of Barbara Firth's illustration for Martin Waddell's Can't You Sleep, Little Bear? and bingo! a children's bookstore. Now to figure out what happens there.

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Duveneck pastel portrait

I honestly can't remember now and am too lazy to check on whether Frank Duveneck is mentioned in Where the Light Falls. He certainly figured into my research since he was born in Covington, Kentucky, across the river from Ohio and was influential in Cincinnati. Anyway, thank you, James Gurney for posting this pastel portrait, which as far as I'm concerned could be "one of my girls."

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Alan Lee's Green Dragon Inn

A few years ago, I borrowed a library copy of The Hobbit illustrated by Alan Lee. On the back of the jacket was an illustration of Bilbo joining the dwarves in front of the Green Dragon pub which was not included inside. Oh, well, I decided to spring for a second-hand copy just for the pictures and ordered on line what I thought was the right edition. When it arrived, lo and behold, its jacket was different. No Green Dragon. Phooey. To my amusement, when I searched for the illustration this summer, it turned up at a website with exactly my story of disappointment about the Green Dragon jacket illustration. That set me thinking about the difference between fan fiction and fan illustration.

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Mayhew's street sellers

 
Blog post alert: Henry Mayhew's Street Traders reproduces a few of the engravings in London Labour and the London Poor of men and women who made a living on the streets in the Victorian era and quotes the text that accompanies each. The passage that accompanies this picture, for instance, begins, "I am a seller of birds'-nesties, snakes, slow-worms, adders, "effets"–lizards is their common name–hedgehogs (for killing black beetles), frogs (for the French – they eats 'em), and snails (for birds) – that's all I sell in the Summertime."

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